Only in this way()solve the problem at once.
A、we can
B、can we
C、that we can
D、that can we
A、we can
B、can we
C、that we can
D、that can we
1-1、A market means the way things are sold only.
A、√
B、×
1-2、Actually, buyers want to buy certain goods or services.
A、√
B、×
1-3、Sellers might buy quite tangible assets, like houses, cars and so on.
A、√
B、×
1-4、Markets will connect people’s demands and people’s supplies.
A、√
B、×
1-5、Prices change quickly with the changes of supply and demands.
A、√
B、×
There is nothing in this world constant but inconstancy.--SWIFT
Project after project designs a set of algorithms and then plunges into construction of customer-deliverable software on a schedule that demands delivery of the first thing built.
In most projects,the first system built is (71) usable,It may be too slow,too big,awkward to use,or all three.There is no (72) but to start again,smarting but smarter,and build a redesigned version in which these problems are solved.The discard and (73) may be done in one lump,or it may be done piece-by-piece.But all large-system experience shows that it will be done.Where a new system concept or new technology is used,one has to build a system to throw away,for even the best planning is not so omniscient(全知的)as to get it right the first time.
The management question,therefore ,is not whether to build a pilot system and throw it away.You will do that.The only question is whether to plan in advance to build a (74),or to promise to deliver the throwaway to customers.Seen this way,the answer is much clearer.Delivering that throwaway to customers buys time,but it does so only at the (75) of agony(极大痛苦)for the user,distraction for the builders while they do the redesign,and a bad reputation for the product that best redesign will find hard to live down.
Hence plan to throw one away;you will,anyhow.
71.()
A.almost
B.often
C.usually
D.barely
LI HUA:Hi, Liu Hui. Have you got something on your __1___
LIU HUI:Hmmm, I'm ... a little ... upset.
LI HUA:Anything wrong It's only the___2__ of the first semester . How are you getting on with your school life
LIU HUI:My classmates are from different places, with all those different backgrounds . I'm not___3__ how to get along with them.
LI HUA:That's not difficult. Try your___4__ to find common topics to talk with them about.
LIU HUI:What kind of common topics
LI HUA:Hobbies, games, hometown, family and so on.
LIU HUI:Well. I see. Breaking the ice is a good way to make ___5__. Thank you very much.
LI HUA:My pleasure.
Why is (1) fun?What de lights may itS practitioner expect as his reward? First is the sheer joy of making things. As the child delights in his mud pie, so the adult enjoys building things, especially things of his own design. Second is the pleasure of making things that are useful to other people. Third is the fascination of fashioning complex puzzle-like objects of interlocking moving parts and watching them work in subtle cycles, playing out the consequences of principles built in from the beginning. Fourth is the joy of always learning, which springs from the (2) nature of the task. In one way or another the problem is ever new, and its solver learns something: sometimes (3), sometimes theoretical, and sometimes both. Finally, there is the delight of working in such a tractable medium. The (4), like the poet, works only slightly removed from pure thought-stuff. Few media of creation are so flexible, so easy to polish and rework, so readily capable of realizing grand conceptual structures.
Yet the program (5), unlike the poet's words, is real in the sense that it moves and works, producing visible outputs separate from the construct itself. It prints results, draws pictures, produces sounds, moves arms. Programming then is fun because it gratifies creative longings built deep within us and delights sensibilities we have in common with all men.
(1)
A.programming
B.composing
C.working
D.writing
Why is (1) fun? What delights may its practitioner expect as his reward? First is the sheer joy of making things. As the child delights in his mud pie, so the adult enjoys building things, especially things of his own design. Second is the pleasure of making things that are useful to other people. Third is the fascination of fashioning complex puzzle-like objects of interlocking moving parts and watching them work in subtle cycles, playing out the consequences of principles built in from the beginning. Fourth is the joy of always learning, which springs from the (2) nature of the task. In one way or another the problem is ever new, and its solver learns something: sometimes (3), sometimes theoretical, and sometimes both. Finally, there is the delight of working in such a tractable medium. The (4), like the poet, works only slightly removed from pure thought-stuff. Few media of creation are so flexible, so easy to polish and rework, so readily capable of realizing grand conceptual structures.
Yet the program (5), unlike the poet's words, is real in the sense that it moves and works, producing visible outputs separate from the construct itself. It prints results, draws pictures, produces sounds, moves arms. Programming then is fun because it gratifies creative longings built deep within us and delights sensibilities we have in common with all men.
(1)
A.programming
B.composing
C.working
D.writing
A.do experiments with water
B.purify the used water and reuse it
C.use fresh water once again
D.make use of seawater
There is much debate about the capacity and duration of the short term memory. The most accepted theory comes from George A. Miller, a cognitive psychologist who suggested that humans can remember approximately seven chunks of information. A chunk is defined as a meaningful unit of information, such as a word or name rather than just a letter or number. Modern theorists suggest that one can increase the capacity of the short term memory by chunking, or classifying similar information together. By organizing information, one can optimize the STM, and improve the chances of a memory being passed on to long term storage.
When making a conscious effort to memorize something, such as information for an exam, many people engage in "rote rehearsal". By repeating something over and over again, we are able to keep a memory alive. Unfortunately, this type of memory maintenance only succeeds if there are no interruptions. As soon as a person stops rehearsing the information, it has the tendency to disappear. When a pen and paper are not handy, you might attempt to remember a phone number by repeating it aloud. If the doorbell rings or the dog barks to come in before you get the opportunity to make your phone call, you will forget the number instantly. Therefore, rote rehearsal is not an efficient way to pass information from the short term to long term memory. A better way is to practice "elaborate rehearsal". This involves assigning semantic meaning to a piece of information so that it can be filed along with other pre-existing long term memories.
Encoding information semantically also makes it more retrievable. Retrieving information can be done by recognition or recall. Humans can recall memories that are stored in the long term memory and used often. However, if a memory seems to be forgotten, it may eventually be retrieved by prompting. The more cues a person is given (such as pictures. , the more likely a memory can be retrieved. This is why multiple choice tests are often used for subjects that require a lot of memorization.
According to the passage, how do memories get transferred to the STM? ______
A.They revert from the long term memory.
B.They are filtered from the sensory storage area.
C.They get chunked when they enter the brain.
D.They enter via the nervous system.
1.The main point of the passage is ().
A.how an island formed
B.how a volcano broke out
C.how plants were brought to the island
D.how plants and animals began to live on an island in the sea
2.According to the passage,() made the island rise up in the sea.
A.hot liquid rock from the undersea volcano
B.sand brought by the wind
C.rock from the nearest island
D.sea waves
3.The word "dash"(in Para.2)means ().
A.smash
B.destroy
C.perform
D.rush
4.Why couldn't animals live on the island before plants?()
A.Because it was too hot on the bare island
B.Because it rained too mush
C.Because there was no water
D.Because they couldn't find food
5.Which order of coming into being on the volcano-produced island is right?()
A.Hot liquid rock, animals and plants
B.Soil, hot liquid rock and plants
C.Spiders, birds and plants
D.Soil, plants and animals
No longer is the possession of information【C11】______ to a privileged minority. Forty years ago people used to【C12】______ to the cinema, but now far more people sit at home and turn on the TV to watch a programme that【C13】______ into millions of homes. Communication is no longer merely concerned【C14】______ the transmission of information. The modem communications industry influences the way people live in society and broadens, their【C15】______ by allowing access to information, education and entertainment. The printing, broadcasting and【C16】______ industries are all involved with informing, educating and entertaining.
【C17】______ a great deal of the material communicated by the mass media is very【C18】______ to the individual and to the society of which he is a part, the vast modem network of communications is【C19】______ to abuse. How ever, the mass media are with us for better, for worse, and there is no turning【C20】______ .
【C1】
A.basis
B.base
C.foundation
D.ground
【C1】
A.conventional
B.common
C.peculiar
D.humble
A man who knows a bit about carpentry (木工术) will make his table more quickly than the man who does not. If the instructions are not very clear, or the shape of a piece is puzzling his experience helps him to conclude that it must fit there, or that its function must be that. In the same way, the reader's sense and experience helps him to predict what the writer is likely to ,say next; that he must be going to say this rather than that. A reader who can think along with the writer in this way will find the text.
This skill is so useful that you may wish to make your students aware of it so that they can use it to tackle difficult texts. It does seem to be the case that as we read we make hypotheses (假设) about what the writer intends to say; these are immediately modified by what he actually does say, and are replaced by new hypotheses about what will follow. We have all had the experience of believing we were understanding a text until suddenly brought to a halt by some word or phrase that would not fit into the pattern and forced us to reread and readjust our thoughts. Such occurrences lend support to the notion of reading as a constant making and remaking of hypotheses.
If you are interested in finding out how far this idea accords with (符合) practice, you may like to try out the text and questions. To do so, take a piece of card and use it to mask the text. Move it down the page, revealing only one
t a time. Answer the question before you go on to look at the next section. Check your prediction against what the text actually says, and use the new knowledge to improve your next prediction. You will need to look back to earlier parts of the text if you are to make accurate prediction, for you must keep in mind the general organization of the argument as well as the detail within each sentence. If you have tried this out, you have probably been interested to find how much you can predict, though naturally we should not expect to be right every time -- otherwise there would be no need for us to read.
Conscious use of this technique can be helpful when we are faced with a part of the text that we find difficult: if we can see the overall pattern of the text, and the way the argument is organized, we can make a reasoned guess at the next step. Having an idea of what something might mean can be a great help in interpreting it.
The author uses the examples of carpentry and reading to show______.
A.the importance of making prediction
B.the similarity in using one's senses
C.the necessity of making use of one's knowledge
D.the most effective method in doing anything