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— What a beautiful ring you are wearing!— ()。

A.Really? I can’t believe it.

B.Are you joking?

C.Thank you. It’s a gift from my boyfriend.

D.No, I don’t think so.

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C、Thank you. It’s a gift from my boyfriend.

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第5题
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第7题
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第8题
1 For the Greeks, beauty was a virtue: a kind of excellence. Persons then were assumed to
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2 They may have resisted Socrates' lesson. We do not. Several thousand years later, we are more wary of the enchantments of beauty. We not only split off—with the greatest facility—the "inside"(character, intellect) from the "outside" (looks); but we are actually surprised when someone who is beautiful is also intelligent, talented, good.

3 It was principally the influence of Christianity that deprived beauty of the central place it had in classical ideals of human excellence. By limiting excellence (virtus in Latin) to moral virtue only, Christianity set beauty adrift—as an alienated, arbitrary, superficial enchantment. And beauty has continued to lose prestige. For close to two centuries it has become a convention to attribute beauty to only one of the two sexes, the sex which, however fair, is always Second. Associating beauty with women has put beauty even further on the defensive, morally.

4 A beautiful woman, we say in English, but a handsome man. "Handsome" is the masculine equivalent of—and refusal of—a compliment which has accumulated certain demeaning overtones, by being reserved for women only. That one can call a man "beautiful" in French and in Italian suggests that Catholic countries—unlike those countries shaped by the Protestant version of Christianity—still retain some vestiges of the pagan admiration for beauty. But the difference, if one exists, is of degree only. In every modern country that is Christian or post-Christian, women are the beautiful sex—to the detriment of the notion of beauty as well as of women.

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A.persons of beauty

B.persons of virtue

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第9题
Jim was intelligent, but he hated hard work. He said, "You work hard, and make a lot of mo
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One day they were looking for rich families to rob, and Jim sent one of them to a large beautiful house just outside the town.

It was evening, and when the man looked through one of the windows, he saw a young man and a girl playing on a piano.

When he went back to Jim, he said, "That family can't have much money. Two people were playing on the same piano there."

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A.clever

B.honest

C.interesting

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第10题
Every artist knows in his heart that he is saying something to the public.Not only doe
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Most artists take their shapes and colors from the world of nature and from human bodies in motion and at rest; their choices indicate that these aspects of the world are worth looking at, that they contain beautiful sights.Contemporary artists might say that they merely choose subjects that provide an interesting pattern, that there is nothing more in it.Yet even they do not choose entirely without reference to the character of their subjects.

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1.An artist hopes that the public will ____.

A.understand him and learn from him

B.notice only shapes and colors in his work

C.teach him something

D.believe what he says in his work

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A.uses shapes and colors instead of words

B.uses unusual words and phrases

C.does not express himself /herself well

D.does not say anything clearly

3.The writer points out that contemporary artists might say their choices of subject _____.

A.only provide interesting patterns

B.teach the public important truths

C.have no pattern or form

D.carry a message to the public

4.The writer also points out that contemporary art contains ____.

A.nothing but meaningless patterns

B.uninteresting aspects of the world

C.completely meaningless subjects

D.subjects chosen partly for their meanings

5.What is implied in this passage?()

A.A painting is more easily understood than a symphony.

B.Art is merely the arranging of shape and color.

C.Every artist tries to say something to the public.

D.One must look beyond shape and color to find what the artist is saying.

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